Not an essay, not a poem, not a bunch of random thoughts, no musings. Fun to write and an easy read, this is perhaps one of the best writing exercises to practice your fiction-writing skills, and a great way to inspire yourself to experiment with longer fiction pieces. It is quite like sculpting a work of art from a tiny block of stone — seemingly hard to crack but a pleasure when you hone your talent.
Generally the author has to savagely pound a square peg into a round hole, with regrettable results. The classic horrible example is deep space fighter aircraft.
Most pulp falls for the old Space Is An Ocean fallacy along with the related misconceptions. Many pulp writers figured they were the first to have the bright idea of transplating the colorful legend of the dreaded Sargasso Sea into science fiction.
A deadly area of space that somehow traps spaceships who venture too close, only to join the deadly graveyard of lost ships. And not just human ships, a couple stories mention humans discovering wrecks of unknown alien spacecraft mixed in with the conventional ships. The graveyard typically contains everything from recent ships all the way back to historical ships dating to the dawn of space flight.
Some stories populate the graveyard of dead ships with castaways. Who will probably be interested in looting your ship of any supplies it contains. The original legend dates back to when line-of-sight was limited to the horizon, so a sailing vessel poking at the edge of the sargasso could not see the interior.
Not without being caught, that is. With the invention of radar and the realization that there ain't no horizon in space, writers realized they'd have to make the space sargasso sea more invisible. Usually they'd add on the legend of the Bermuda Triangle in the form of an intermittent "hole in space" leading to a pocket universe.
Some kind of wormhole or stargate that would transport the hapless spacecraft to a graveyard of lost ships safely out of sight.
Obviously this is highly unlikely to happen in the real world. But it sure is romantic, in a sci-fi pulp fiction sort of way.
Disabled spacecraft who drift into the point will be trapped, which is sort of true. The author does not explain why this is not true of the L4 and L5 points of every single planet in the solar system. He calls the graveyard of lost ships the "wreck-pack", and the gravitational attraction of the wrecks keep ships from drifting out.
The latter is a concept that was disproved by Michelson and Morley inbut most of the readers didn't know that. The ether-currents form sort of a one-way whirlpool which sucks hapless spacecraft into the graveyard of lost ships trapped in the eye of the storm.
Captain Future escapes by cannibalizing engine and atomic fuel from the other derelict ships, an idea that apparently didn't occur to any of the prior castaways.
He has a side adventure when he stumbles over an alien spacecraft full of aliens in suspended animation.
The "adventure" part comes in when Captain Future discovers the octopoid creatures are space vampires and they start to wake up.
Certainly strange things happen to hyperdrive starships who venture too close.
General Overview Unlike many magazines, Creative Nonfiction draws heavily from unsolicited submissions. Our editors believe that providing a platform for emerging writers and helping them find readers is an essential role of literary magazines, and it’s been our privilege to work with many fine writers early in their careers. A typical issue of CNF contains at least one essay. Pound's influential essay framing one of the modern era's most overlooked movements. 'Vorticism is art before it has spread itself into flaccidity..'. A Note About Fact-checking. Essays accepted for publication in Creative Nonfiction undergo a fairly rigorous fact-checking process. To the extent your essay draws on research and/or reportage (and ideally, it should, to some degree), CNF editors will ask you to send documentation of your sources and to help with the fact-checking process.
Things like hallucinations, ghostly whispering voices "Spaceman, go home. Many dissappear, so prudent ship captains give the Nebula a wide berth. The cause of all this is an ancient race of Elf-like psionic aliens living on a planet near the Nebula's center. The antigravity Okie cities are sort of the migrant laborers of the galaxy.
The stellar currency is based on germanium, some idiot figure out how to synthesize it and inadvertenly obliterated the economy of the entire galaxy.1 sample paper dse lit eng paper 1. hong kong examinations and assessment authority hong kong diploma of secondary education examination.
JUMP TO THE LATEST ENTRY IN THE INFINITE JEST LIVEBLOG TABLE OF CONTENTS. Introduction to the Liveblog Don’t Read the Foreword, pgs. xi — xvi.
INTRODUCTION by Edward Waterman. Presented here in its entirety is Don Herron's famous essay, "The Dark Barbarian." This essay first appeared in the book of the same name, The Dark Barbarian, and was first published in This book, and the excellent essays within, were the first to take Robert E.
Howard and his work seriously and to . A Note About Fact-checking. Essays accepted for publication in Creative Nonfiction undergo a fairly rigorous fact-checking process.
To the extent your essay draws on research and/or reportage (and ideally, it should, to some degree), CNF editors will ask you to send documentation of your sources and to help with the fact-checking process. Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (–) that tells the story of Victor Frankenstein, a young scientist who creates a grotesque, sapient creature in an unorthodox scientific experiment.
Shelley started writing the story when she was 18, and the first edition of the novel was . This webpage is for Dr.
Wheeler's literature students, and it offers introductory survey information concerning the literature of classical China, classical Rome, classical Greece, the Bible as Literature, medieval literature, Renaissance literature, and genre studies.